Step 1: Provide your MP4 files using the button above or by toss and let go.
Step 2: Click the 'Convert' button to start the conversion.
Step 3: Fetch your converted MKV files.
MP4 to MKV Conversion FAQ
How do I convert MP4 to MKV without re-encoding the video stream?
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When the MP4 and MKV containers can both carry the same codec (H.264, H.265, VP9, AV1), the converter falls back to a remux: the elementary streams are copied byte-for-byte into the MKV container and only the wrapper changes. A remux of a 1 GB MP4 into MKV typically finishes in 5-15 seconds with zero quality loss. Almost every MP4 in the wild is H.264 video with AAC audio; the container also legally holds HEVC, AV1 and VP9. MKV is codec-agnostic: H.264, HEVC, VP9 and AV1 video sit happily beside AAC, FLAC, Opus, DTS or Dolby audio in the same file.
Can the MKV hold more than one audio track?
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Yes, and it is a real upgrade over MP4. MKV treats every audio stream as a first-class track, so an original-language mix, a dub and a director commentary can live in one file with the player switching between them on demand. MKV is the archival container of choice because it stores unlimited audio tracks, soft subtitles, chapter markers and cover art in one file.
Does MKV support chapter markers that MP4 did not?
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It does. MKV stores chapters as container metadata, so a long recording can be navigated by section instead of by scrubbing a progress bar. MP4 has nowhere to put that information, so if the source shipped with a chapter list it was in a sidecar file — hand that to the converter and it gets written into the MKV.
Can I still embed the file on a web page after converting MP4 to MKV?
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Not directly. MP4 plays inline in every browser; MKV does not, so a page embedding it falls back to a download link or an empty player frame. If the file is destined for a website, keep the MP4 for the web and treat the MKV as the archive or editing copy. MKV has almost no native hardware support — phones, browsers and TVs usually need VLC or a remux before they will play it.
Will the MKV still play smoothly on a phone or a TV?
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It may not. MP4 is decoded by dedicated silicon on phones, tablets and TVs, which is why it plays without flattening the battery. MKV typically falls back to software decoding on the same hardware — higher CPU load, a warmer device, and dropped frames on 4K material. For a device target, MP4 is the safer container to stay in.
Both MP4 and MKV are modern containers — which should I actually keep?
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Keep whichever matches where the file is going, because neither is better in the abstract. One of these two is built for playback compatibility and the other for holding everything a file might contain, and they trade against each other exactly along that line. The pragmatic answer for most libraries is to archive in the feature-rich container and export to the compatible one on demand. MP4 is the safest possible delivery target — every phone, browser, console, editor and Smart TV built in the last decade plays it without extra software.
Will multi-track audio survive MP4 to MKV conversion?
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Yes — every audio track in the MP4 (director commentary, alternate languages, descriptive audio) is preserved in the MKV when the target container supports multi-stream audio. MKV and MOV handle unlimited audio tracks; MP4 supports many but some hardware players only see track 1; WebM is capped at one Opus / Vorbis track. MKV is Matroska, an open container designed in 2002 with no licensing restrictions and no ceiling on what it can hold.
Are subtitle tracks preserved when converting MP4 to MKV?
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Soft subtitles (selectable tracks) survive when MKV can carry them: MKV holds SRT, ASS, SSA, PGS, VobSub natively; MP4 only holds mov_text (a stripped-down format). Converting an MKV with ASS styled subs to MP4 will typically downgrade them to mov_text or burn them in. Hardsubs (burned into the video) carry over regardless.
Does MP4 to MKV keep chapter markers / DVD-style navigation?
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Chapter metadata transfers between MP4 and MKV whenever both containers support a chapter atom (MKV, MP4, MOV). WebM stores chapters in a Matroska-compatible block, so MKV <-> WebM chapters round-trip cleanly. AVI has no chapter spec at all, so an AVI source arrives with no chapters to carry across and an AVI target cannot store the ones it was handed; add markers manually afterwards if you need them.
What about MKV attachments (fonts, cover art) when going MP4 to MKV?
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MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from MP4 to MKV drops these attachments when MKV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep MP4 as a backup if you depend on attached fonts.
Which codec does the MKV output use by default?
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The default codec is chosen to match the MKV container conservatively: MKV defaults to H.265 (HEVC) for better compression; MP4 defaults to H.264 for the widest device support; WebM defaults to VP9; AVI uses MPEG-4 ASP (DivX/Xvid lineage). Override via the advanced codec dropdown — AV1 is available for MKV / WebM where you want maximum compression and can wait through the encode.
How does HDR (HDR10, Dolby Vision) survive MP4 to MKV?
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HDR static metadata (HDR10 mastering display values, max content light level) carries through to MKV when both containers and the chosen codec support it (HEVC, AV1 in MKV / MP4). Dolby Vision is more fragile — DV profile 5 / 7 / 8.1 in MP4 commonly survives only into MKV with HEVC; converting to an MKV container that does not carry the DV layer flattens to HDR10.
